Jackie
Hudson, Fan of Georgia O'Keeffe
Warning: This page is mangled. Dozens of
links are broken, and the Canyon Suite paintings are thought to be a
hoax. An updated page will be forthcoming when time permits. In the
meantime continue with caution.
Canyon Suite
Twenty-eight recently discovered paintings by Georgia
O'Keefe were exhibited for the first time in 1995. These
watercolors, known as the Canyon Suite, were painted in 1916 and
1917 when O'Keeffe was the head and sole faculty member of the art
department at West Texas State Normal College in Canyon,
Texas.
As the resident artist at WT, O'Keeffe was pressed into duty
designing scenery and costumes for the drama club. In that role
she became acquainted with Ted Reid, an older student who was
president of the drama club and an experienced cattle drover. With
a shared affinity for the land and sky of the Texas plains, they
took long walks through the country and became confidants. Because
O'Keeffe was both inspired by the scenery and isolated from the
artistic and immediate communities, Reid's support was significant
to her remarkable creative development during this period. Before
Reid reported for duty in World War I, the pacifistic O'Keeffe
gave him 28 of her watercolors from the previous year. A few
months later, as an outsider with influenza, O'Keeffe left Canyon
and lost track of Reid who returned from the war, married, had
children, and hid the O'Keeffe paintings from his family. Only
after Reid and his wife had died did Reid's granddaughter learn of
the paintings which had been wrapped in brown paper for 70
years.
For O'Keeffe -- an artist grounded in nature -- the images of the
Texas plains were an important early influence. After studying art
in Chicago and New York, she spent two years (1912-1914) on the
plains as an art teacher in the Amarillo public schools. Following
another year in New York as a student at Columbia, O'Keeffe struck
out on her own as an artist: While teaching in South Carolina in
1915, she realized that she had "things in her head that are not
like what anyone had taught me -- shapes and ideas so near to me
-- so natural to my way of being and thinking that it hasn't
occurred to me to put them down." So she decided to "strip away
what I had been taught -- to accept as true my own thinking." Thus
began her period of novel charcoal drawings and wonderful
abstractions in watercolors. At this point O'Keeffe returned to
the Texas plains and began to paint her first skyscapes, figure
studies, and abstractions of nature. Many of the watercolors in
the Canyon Suite represent the seminal concepts for some of her
better-known early works as well as the foundation of her visual
language.
In her centennial exhibition at the National Gallery of Art, 27 of
O'Keeffe's early charcoals and watercolors from the 1910s were
featured. Michael Bresnan of the New York Times singled out the
"tough, delicate works" of 1916-1919 and other critics "succumbed
to the power of the Texas paintings -- marvelling at the startling
expanse of light and space that she evokes with a few drops of
color on a page." Out of iconoclasm and isolation came invention
and, as Bresnan says, "an almost mystical feeling for the union of
the human body with the body of the natural world."
Paintings
Fourteen of the watercolors and charcoals from the
recently discovered Canyon
Suite have been reproduced by the Kemper Museum. In addition,
several watercolors and a few oils from 1916-1919 are
available:
Abstraction
IX (1916)
Evening
Star (1916)
Special
No. 21 (1916)
Sunrise
and Little Clouds II (1916)
Train
at Night in the Desert (1916)
Abstraction
(1917)
Blue
I (1917)
Blue
Nude (1917)
Canyon with
Crows (1917)
Evening
Star, III (1917)
Evening
Star IV (1917)
Evening Star
No. VI (1917)
Nude
Series (1917)
Nude Series
VIII (1917)
Nude
Series XII (1917)
Pink
and Green Mountain #1 (1917)
Red
Mesa (1917)
The
Flag (1918)
Series
1, No. 1 (1918)
Black
Spot No. 2 (1919)
Blue
and Green Music (1919)
From the
Plains (1919)
Music
Pink and Blue (1919)
Music -- Pink
and Blue, II (1919)
Red
and Orange Streak (1919)
Series
1, No. 8 (1919)
At last count more than 100 of Georgia O'Keeffe's paintings can be
viewed on the web. Many links are given below. For a more
comprehensive listing, you might want to visit the Safran
or Artcyclopedia
sites.
Red
Canna (1924)
Corn II
(1924), In the Patio VIII (1950)
Black
Iris III (1926), Oriental Poppies (1927), Pelvis Series -- Red
with Yellow (1945), Petunia (1925), Red Canna (1924), untitled
skull
City Night
(1926), Iris (1929), Old Maple, Lake George (1926), White Trumpet
Flower (1932)
Cos Cob
(1926)
New
York, Night (1928-1929)
Oriental Poppies
(1927), Oak Leaves, Pink and Gray (1929)
Red Poppy (1927), The
Lawrence Tree (1929), Two Jimson Weeds (1938)
East
River from the Shelton (1928), East River from the Shelton
(1927-1928)
Grey Cross
with Blue (1929)
Soft
Gray, Alcalde Hill (1929-1930)
Bell Cross,
Ranchos Church (1930), Fragment of the Ranchos de Taos Church
(1929), The Lawrence Tree (1929)
Horse's Skull on Blue
(1930)
Yellow Cactus
(1940)
Canyon
Country (1964)
Black Rock
with Blue III (1970), Cow's Skull -- Red, White and Blue (1930),
Ram's Head with Hollyhock (1930), View from My Studio, New Mexico
(1930)
Grey Line
Untitled
Flower
Photographs
Georgia O'Keeffe was photographed many, many times.
Several pictures by Stieglitz are available on the web: three
emphasize O'Keeffe's hands (with accompanying text in
Japanese), another
shows her head and hands (with a brief biography in English),
one
was taken at O'Keeffe's exhibit in Stieglitz' gallery, two
were taken in the early twenties (1920,
1923),
and one
shows O'Keeffe in 1929 after she returned from New Mexico.
Another picture shows O'Keeffe
with Stieglitz. In addition, there are three
pictures by Van Vechten on the web. Other photographs show
O'Keeffe in Taos
in 1929, on a scooter, while
smirking, in
1953, and exuding
class.
Potpourri
As for books about O'Keeffe, you can read the
first chapter of a biography by Michael Berry and learn more
about Recipes
from the Kitchen of Georgia O'Keeffe. Artcyclopedia
lists all the books about O'Keeffe that are available at
Amazon.com. Also, the U.S. Post Office has honored O'Keeffe by
issuing a
stamp of Red Poppy (1927). The
Georgia O'Keeffe Museum is now open in Sante Fe.
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Comments: jhudson@csuchico.edu
Please be aware that the sum total of my knowledge about O'Keeffe is
displayed on this page.