Spanish 210
Viewing the Hispanic Caribbean: Cuba
Dr. Sara E. Cooper
Trinity 150 * 898-5161 * scooper@csuchico.edu
Office Hours
Course Description/Objectives
The goal of Spanish 210 "Viewing the Caribbean" is to introduce students to literature, film, and culture of the Spanish-speaking Caribbean, in this case Cuba. All works will be discussed within the historical and sociopolitical context. The course focus may vary according to the instructors specialty (e.g. focus on Puerto Rico or the Dominican Republic). A 3-unit seminar taught in Spanish, with the majority of films and readings in Spanish, this course will emphasize critical thinking and contemporary theories of literary and cultural criticism. The ultimate goal of this upper division course is to engage in scholarly research and discussion of important cultural production of the Caribbean and thereby to improve in the more advanced skills of reading and oral comprehension, writing, and speaking in Spanish.
The course will involve lecture, screenings of films (feature and documentary),viewing of art, reading of primary (literary) texts as well as background texts, discussions in small groups and in Socratic seminars in which priority will be given to informed textual analysis and understanding of the political and cultural context.
The class meets once a week for three hours. Students will be required to participate actively in discussion, attend film screenings, synthesize and analyze films and/or readings, participate in oral presentations, and complete a final written project that demonstrates a deep understanding of the issues represented in Caribbean (Cuban) cultural production. There also will be two written exams that ensure the students broad comprehension of major issues, figures, and works. Beginning with the third week of class, students will prepare in pairs or small groups (and under the direction of the professor) to direct the discussion of one reading selection for the week. Each student will participate in at least two such "oral presentations."
Prerequisites:
SPAN 104A (mandatory)
SPAN 105A or 105B or any literature course in Spanish (suggested)
Textbooks/Materials required:
Course Reader
Cristina García Soñar en cubanoMiguel Barnet Biografía de un cimarrón
Nicolás Guillén Sóngoro consongo
Mirta Yáñez El diablo son las cosas
Nancy Alonso Cerrado por reparación
Grading Criteria:
ANY PAPER, EXAM, QUIZ, OR OTHER ASSIGNMENT NOT COMPLETED WITHIN THE STATED PARAMETERS OF ACADEMIC HONESTY WILL BE GIVEN ZERO CREDIT. IN ADDITION, THE STUDENT PRACTICING ACADEMIC DISHONESTY OR PLAGIARISM MAY BE DROPPED FROM THE COURSE OR FAILED IMMEDIATELY OR FURTHER SUBJECT TO DISCIPLINARY ACTION AT THE COLLEGE OR UNIVERSITY LEVEL. ACADEMIC DISHONESTY INCLUDES (BUT IS NOT LIMITED TO) APPROPRIATING WEB ESSAYS OR TRANSLATING PROGRAMS TO COMPLETE ONES OWN ESSAYS.
Topics and Assignments
For each week, please note that there are required readings and supplemental readings. The supplemental readings may be assigned to a small group or pair for a short in-class presentation; they may be assigned to any Masters students taking the course for graduate credit; or they may simply be offered as extra background for the extremely motivated student.
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Week 1: Viewing Cuba Exams/Assignments due: Pre-exam on previous knowledge of Cuba Guest: Rudy Giscombe, photographer Cuban History through 1898 In-class reading: José Martí |
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Week 2: Cuban history 1898=>1959 Film: Lucía (1st and 2nd parts) Reading: Chronology, Eduardo Aparicio "Fragmentos de narraciones cubanas" ; Louis A. Pérez Jr. Introduction, On Becoming Cuban; Supplemental reading: Louis A. Pérez. Jr. "Context and Content of the Republic" (Reserves: Cuba and the United States: Ties of Singular Intimacy 113-48) |
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Week 3: African Heritage (part I) Reading: Miguel Barnet Biografía de un cimarrón Art: María Antonia Carrillo Supplemental reading: Miriam DeCosta-Willis "Self and Society in the Afro-Cuban Slave Narrative" (Reserves: loose article) |
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Week 4: African Heritage (Part II) Film/music: Buena Vista Social Club Reading: poets Nicolás Guillén Sóngoro consongo Exams/Assignments due: Essay #1 posted to WebCT Supplemental reading: Miriam DeCosta-Willis "Social Lyricism and the Caribbean Poet" (Reserves: Blacks in Hispanic Literature pp.
114-22)
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Week 5: The Revolution (Part I) Film: Lucía (Part 3) Reading: Che Guevara "El hombre nuevo" y "La mujer guerrilla"; Fidel Castro "La historia me absolverá"; Guillermos Cabrera Infante "El ambicioso general" y "Desde la cárcel"; Ambrosio Fornet "Alegría del Pío"; Celia Sánchez and Haydeé Santamaría "Recuerdos" Supplemental reading: Edmundo Desnoes, Introduction
(Reserves: Los dispositivos en la flor: Cuba/Literatura desde la revolución)
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Week 6: The Revolution (Part II) Reading: Mirta Yáñez "Todos los negros tomamos café", "El búfalo ciego", "Por la mañana Fifita nos llama" Art: Street Graphics Supplemental reading: Sara Cooper, "Irreverent Humor in Post-Revolutionary Cuban Fiction: The Case of Mirta Y‡–ez." FLNG Colloquium: Many Faces of Humor (CSU, Chico) April 23-25, 2002. (WebCT) |
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Week 7: The (Anti)Revolution Film: Azucar amargo Reading: Selections from Gustavo Pérez Firmat, Reinaldo Arenas, and Heberto Padilla (1st generation immigrants) Exams/Assignments due: Essay # 2 posted to WebCT Supplemental reading: María de los Angeles
Torres, Introduction (Reserves: In the Land of the Mirrors)
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Week 8: Gender Roles in Cuba (Part I) Reading: Fragment of Gertrudis Gómez de Avellaneda SabSupplemental reading: Sara Cooper "Cuba"
Women's Issues in North America and the Caribbean. Editor-in-Chief
Cheryl Kalny. Women's Issues Worldwide Series. Series Editor Lynn Walter.
Greenwood Publishing. (WebCT)
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Week 9: Gender Roles in Cuba (Part II) Film: Portrait of Teresa Reading: Mirta Yáñez "Opera prima", "Kid Bururú y los caníbales," "Pájaro de mal agüero" and "El diablo son las cosas" Exams/Assignments due: Proposal for final project, including Thesis Sentence Supplemental reading:Judy Maloof Introduction, (Reserves:
Voices of Resistance: Testimonies of Cuban and Chilean Women)
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Week 10: Family Film: Se permuta or Madagascar Reading: Mirta Yáñez "Beatles contra Durán Durán" Exams/Assignments due: Bibliography for final project Supplemental reading: Sara Cooper, "Form and Functionality in Narration of Familia: An Argument for a Family Systems Approach to Latin American Literature." 19th Congress Louisiana Conference on Hispanic Languages and Literatures. (Baton Rouge), February 19, 1998. (WebCT)
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Week 11: Sexuality in Cuba Film: Fresa y chocolate Reading: Achy Obejas "Venimos desde Cuba para que te vistieras así" Exams/Assignments due: Essay # 3 posted to WebCT Supplemental reading: Sara Cooper, "Queering
Family: Achy Obejas's 'We Came All the Way From Cuba So You Could Dress
Like That?'" Chasqui. Forthcoming November 2004 . (WebCT)
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Week 12: The Special Period Reading: Nancy Alonso Cerrado por reparación Supplemental reading: Archibald R. M. Ritter "Cuba
in the 1990's" (Reserves: Cuba in Transition)
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Week 13: The Special Period Film: Guantanamera Exams/Assignments due: First draft of final project Supplemental reading: Article from http://www.granma.cu/ (WebCT) |
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Week 14 Cuban Literature "on and off the island" Reading: Mirta Yáñez "Cortado en dos"; Ana Méndez "In Cuba I was a German Shepherd"; Cristina García Soñar en cubano Supplemental reading: Pamela María Smorkaloff, Introduction (Reserves: Cuban Writers on and off the Island) |
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Week 15 New Cuban Aesthetic Film: La vida es silbar Art: New Art of Cuba Exit Survey of KnowledgeSupplemental reading: Luis Camnitzer, Introduction (Reserves: New Art of Cuba) |
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Week 16 Final Exam Week Exams/Assignments due: Oral Presentation of Final Projects; Final draft of final project due |