Music
In Balinesian culture music, art and dance are interweaved
with each other and with society. Art and dance in a sense are the
paints and pictures of the canvas of music, and this combined product,
the painting, is an essential part of life itself. Nearly every individual
from all levels of society participates in some type of art form.
There are musical performances at the many religious ceremonies as well
as at weddings, cremations, and even less formal events such as tooth-filling
ceremonies. Since art is a daily part of life the artistic standards
are high, and the children are taught from a very young age.
The groups responsible for these musical performances
are called gamelans and are composed of members from the village.
The gamelans do not work alone, but work with the other groups of dancers
and such in the village, taking cues from one another. Within the
gamelan are typically found tuned gongs, bronze kettles, bronze metallophones,
bamboo xylophones, drums, cymbals, and flutes. Within this structure
are hundreds of varieties of set-ups and sizes.
With the exception of the drum part, the music is
almost entirely composed. The composer, teacher, does not notate
the music. Each instrument and player learns his section by rote
memory. Since the teacher composes the parts for each of the
instruments in his head, and then must teach it to the others, he must
also be very proficient in every instrument. From here it gets even
more complex. The teacher teaches the student both through visual
and auditory means. The student sits facing the teacher while the
teacher plays the instrument backwards! This allows the student to
hear and see the required placement of his fingers.
The Hindu influence is especially clear in the five
tones that the gamelan music is based on. The names of the tones
are ding, dong, deng, dung, and dang. “These tones are spiritually
linked with the gods of the five directions and their corresponding mystical
colors,” (see illustration). (Montfort, 42)
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