Conclusion
 Southeast Asian theatre has endured many obstacles, and despite them, has managed to flourish.  It has taken many influences and absorbed them like a sponge into their own.  It has survived takeovers and shutdowns and still managed to keep many of its traditions.  Western theatre has looked to its forms for inspiration.  “Directors like Reinhardt, Copeau, Dullin, and Barrault turned not only to Greece, the commedia dell’arte, and Shakespeare for inspiration, but sought new air and new techniques in the theaters of Asia” (Pronko 1967: 4).
 Western theatre lacks the many great traditions that the Southeast Asian theatre has known.  “…a better understanding of the Balinese Theater may help to lead us back to a drama of our own, more central to our experience of life.  Bali embodies, as no modern country in the West can, the ‘idea of theater’”(Pronko 32).
 
 
 
Works Cited

 
 
 
 
 
 

“Asian Drama.”  Microsoft Encarta 97 Encyclopedia Deluxe Edition.  Microsoft.        1997.

Brandon, James R.  Theatre in Southeast Asia.  Cambridge: Harvard University Press, 1967.

Pronko, Leonard C.  Theater East and West: Perspectives Toward A Total Theater.  University of California Press: Berkeley and Los Angeles, 1967.
 
 
 

Index
History
Characteristics
 
(These web sites created by Alex LaVerde for Asian Studies 1)
Email me at: al95928@yahoo.com