Lecture 6 Notes

Golden Age of Ballet 
Salvatore Vigano 
Carlo Blasis
Theophile Gautier
Romanticism
Five Famous Ballerinas

The Golden Age of Ballet


THE GOLDEN AGE OF BALLET

3 people developed Ballet

Salvatore Vigano
Carlo Blasis
Theophile Gautier
 

SALVATORE VIGANO, 1769-1821

Development of pantomime to replace conventional gestures
Attempted to develop "Choreodrame"
 Groups of Dancers treated in a plastic way, Sculptural
Composed many leading Ballets
 

CARLO BLASIS, 1787-1878

Italian dancer, teacher, choreographer
"System Practicing", teaching the art of Ballet
Developed theories on laws of equilibrium and balance
Develeped geometric schemes of body's movement in excercises
1830 wrote "Code of Terpsichore", system of Ballet instruction
Director of the Imperial Academy of Dancing, 1837
Gifted in both writing and anatomy
Key figure in the development of "Danse d'ecole" 
 

THEOPHILE GAUTIER, 1811-1872

Helped shape public taste
Romantic Age Ballet, Romanticism

ROMANTICISM

A revolutionary movement in art which overthrew the rigid forms of the 18th century
1815-1835, in France and throughout Europe
Represented an attempt to escape life's realities using:
 Color
 Fantasy
 Fairy Tales
 Legends
 Romantic love
  And new subject areas:
 Spiritual
 Supernatural

La Sylphide, 1832
 Brought the ballerina to new heights of glamour and popularity
 Male dancer's role decreased
1830-1840 - the height og the Golden Age of Ballet
 

FIVE FAMOUS BALLERINAS 1804-1884

1. Marie Taglioni, 1804-18884
  La Sylphide
  Art of toe dancing
  Great Elevation
  Modified traditional costume

2. Fanny Essler 1810-1884
  Earthy, Excellent technician
  Acting ablity
  1840 America
  Perfected character dances

3. Fanny Corrito 1821-1899
  Danced Europe
  Almost as poular as Taglioni

4. Carlotta Grisi 1821-1899
  Role of Giselle
  "Pas de Quatre", 1845
 

5. Petipa
  50 years in Russia
  Father of Classical Ballet
  Don Quixote
  Sleeping Beauty
  Giselle
  Coppelia
  Swan Lake
  La Sylphide
  Gifted choreographer
  Detailed research and planning
  Format of full-length Ballets
  Firmly fixed Classical style and structure
 
  


Copyright © 1997, 1998 Patricia Smiley
Last modified: February 27, 1998 DMH