Stephanie Sparling Williams, "Black Feminist Critique and Ontological Reconciliation in Artist Lorraine O'Grady's Diptychs"
Thursday, September 23rd, 5:30 PM
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Sparling Williams's recent monograph Speaking Out of Turn: Lorraine O'Grady and the Art of Language examines black feminist conceptual artist Lorraine O'Grady's use of language, both written and spoken, and charts her strategic use of direct address-- the dialectic posture O'Grady's art takes in relationship to its viewers. This talk locates O'Grady's spatially attuned and textually oriented visual practice as one that both aligns with several key practices of the 1980s and 90s and breaks away in crucially innovative ways through her use of the diptych form.
Dr. Stephanie Sparling Williams is the Associate Curator at the Mount Holyoke College Art Museum, and a Visiting Lecturer in Art History and Africana Studies at Mount Holyoke College. Sparling Williams has organized numerous exhibitions including Proposition, Form, Gesture: Modern & Contemporary Art from the MHCAM Collection (2020); Wayfinding: Contemporary Arts, Critical Dialogues, and the Sidney R. Knafel Map Collection with Allison Kemmerer (2020) at the Addison Gallery of American Art; Harlem: In Situ (2019), also at the Addison; From America to Americas (2018), sponsored by the Tang Institute at Phillips Academy; Color & Device: Contemporary Art in the Addison's Collection (2018), and Gun Country (2018). Sparling Williams is the recent recipient of the inaugural Mary Ann Unger Estate Fellowship (2020); the Association of Art Museum Curator's Mentorship Award (2019); and the Brace Center Faculty Fellowship in Gender Studies at Phillips Academy (2019). Her book on feminist conceptual artist Lorraine O'Grady, Speaking Out of Turn (2021), is the first monograph dedicated to the forty-year oeuvre of the artist.
Diana Taylor "Reparative Memory: Trauma, Memory, Accountability, and Repair"
Thursday, October 21 2021, 5:30 PM
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What can we do when it seems that nothing can be done, and doing nothing is not an option? How do communities hardest hit by Covid-19 transform the traumatic memories of loss into practices of repair? This talk will explore some of the theoretical and practical implications of these questions.
Diana Taylor is University Professor and Professor of Performance Studies and Spanish at New York University. She is the award-winning author of multiple books, among them: Theatre of Crisis (1991), Disappearing Acts (1997), The Archive and the Repertoire (2003), Performance (2016), and ¡Presente! The Politics of Presence (2020), and co-editor of Holy Terrors (2003), Stages of Conflict (2008) and Lecturas avanzadas de Performance (2011), among others. Taylor was the Founding Director of the Hemispheric Institute of Performance and Politics from 1998 to 2000. She is the recipient of a Guggenheim Fellowship and several other major awards. In 2017, Taylor was President of the Modern Language Association. In 2018 she was inducted into the American Academy of Arts and Science. In 2021 she was awarded the Edwin Booth Award for “outstanding contribution to the NYC theatre community, and to promote integration of professional and academic theatre.”
Mimi Onuoha, "The Hair In The Cable."
Tuesday, March 22, 2022, 5:30
Register in advance for this meeting and get the ZOOM link for March 22 here(opens in new window).

Mimi Onuoha is a Nigerian-American artist creating work about a world made to fit the form of data. By foregrounding absence and removal, her multimedia practice uses print, code, installation and video to make sense of the power dynamics that result in disenfranchised communities' different realtionships to systems that are digital, cultural, historical, and ecological.
Onuoha has spoken and exhibited internationally and has been in in residence at Studio XX (Canada), Data & Society Research Institute (USA), the Royal College of Art (UK), Eyebeam Center for Arts & Technology (USA), and Arthouse Foundation (Nigeria, upcoming). She lives and works in Brooklyn.
Usha Iyer, "Indian Cinema and the Caribbean: Rhythmic Flows and Media Intimacies across Creolized Geographies"
Thursday, April 7, 2022, 5:30 PM
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After registering you will receive a confirmation email with the link.
